Re:SoundMusic makes us stronger.4.0 out of 5
4.0 out of 5
Hot take
Re:Sound is Canada's primary not-for-profit neighboring rights collective, focused on obtaining fair compensation for artists, session musicians, and record labels when their recorded music is performed publicly or broadcast. Established in 1997, they handle licensing across a wide range of businesses—from radio and digital music services to nightclubs and gyms—with blanket licenses that simplify music usage for venues while supporting rights holders. The organization boasts transparent royalty collection and actively works with international partners to ensure Canadians get paid when their music is used abroad. However, as a traditional collective, their distribution timelines and bureaucracy can sometimes frustrate independent creators looking for more immediate payouts and granular data. On the plus side, Re:Sound's not-for-profit model and broad industry reach make it a cornerstone for Canadian music royalties.
How was this take was created?
Pros
Not-for-profit, creator-focused model
Covers both featured and non-featured performers
Distributes royalties from extensive licensing across Canada
International royalty collection through partnerships
Blanket licenses simplify music use for businesses
Transparent licensing and distribution framework
Cons
Payouts can be slow compared to digital-first startups
Bureaucratic processes may frustrate smaller independent artists
Limited real-time analytics or granular reporting
Primarily focused on Canadian market (may require other partners for some global royalties)
Key Features
Neighboring rights royalty collection and distribution
Blanket licensing for businesses
International royalty collaboration
Coverage for both artists and record labels
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